about acting freedom classes

the skill and courage to commit to a moment of truth....

ARE YOU SHY? 

 Actors are often introverts, drawn to the thrill of trying on other lives, other personas.

 Being shy may mean you have spent years observing human behavior - a useful training for an actor.

Do you have experience with depression? Does someone close to you live with a mental or physical challenge? Chances are, that's helped you develop empathy - another necessary skill.


All of your experience, negative and positive, is grist for the mill. Having your heart broken is a basic human experience; desire,conflict and obstacles are the core of any dramatic work.


“Find your mark, look the other fellow in the eye, and tell the truth.” James Cagney


 “Acting is not a genteel profession. Actors used to be buried at a crossroads with a stake through the heart. These people’s performances so troubled the onlookers that they feared their ghosts. An awesome compliment.”

 David Mamet, True And False

 Do you have to bare your soul and open veins on stage or in front of the camera to be a great actor?

No. Technique allows you to imitate real emotion. But it can be helpful to connect your acting to your real experience at times.

Class work gives you a supportive atmosphere for exploration and risk taking - so when you get to an audition, you are prepared.

 Class also allows you to get feedback and work on specific problems that may be holding you back - voice, physical tics, nerves.

ACTING CLASS IS AN INVESTMENT YOU MAKE IN YOURSELF.

  

"Acting and doing are the same. When you’re acting you’re doing something, but you have to learn not to do it differently when you act it.”   
Stella Adler, The Art of Acting
 

A BRIEF BIBLIOGRAPHY

 Some helpful, challenging, infuriating, inspiring books about acting.

THE ACTOR'S WAY

Benjamin Lloyd

ACTING ONSTAGE AND OFF

Richard Barton 

THE ART OF ACTING

Stella Adler 

AUDITION

Michale Shurtleff

MICHAEL CAINE: ACTING IN FILM

Michael Caine 

SANDFORD MEISNER ON ACTING

Sandford Meisner,

TRUE AND FALSE  David Mamet